Saturday, February 15, 2014

Spoonerisms: Toungled Tangs, Wixed-up Murds


Rindercella
We've all done it. We dry our tarnedest to cleak spearly and make our cleanings mere, but it rums out all cong. It might happen during a tight on the noun, when we've had tee many martoonis and are thunker than we drink. Or we may be serfectly pober.

Writers and comedians have taken Aesop's Fables, Grimm's Fairy Tales and Mother Goose stories and given them the Spoonerism treatment. We'll meet a few of them below.


What's a Spoonerism?

Spoonerisms are named after Reverend Spooner of Oxford University

Rev, Spooner
Reverend William Archibald Spooner (1844-1930) became well-known for his tendency to wix up murds spontaneously. Things change in the telling however and today Spooner, who became Warden of New College, Oxford, is credited for many Spoonerisms he never uttered. The Oxford Dictionary of Quotations (3rd edition, 1979) lists only one Spoonerism attributed to the good reverend: "The weight of rages will press hard upon the employer."

Spooner, who spent his entire adult life associated with New College, was a kindly man and well-liked in the Oxford community. Students had great fun making up Spoonerisms, but in an affectionate way, not intending to insult Spooner. This type of wordplay had been practiced at Oxford since the mid-nineteenth century. The term "Spoonerism" was in common use at Oxford by 1885, and known throughout England by 1900.

Rev. Spooner not only mixed up words, but also entire concepts on occasion. It is reported he once spilled salt at a dinner and carefully poured some wine on it, a reversal of the usual procedure. It's also said that he once remarked of a widow that "her husband was eaten by missionaries."

Fans of the urban legend site Snopes.com may be familiar with lists of quotes attributed to people like Andy Rooney, George Carlin and Stephen Wright. These lists often are filled with quotes those people never said. As the often-quoted Yogi Berra once remarked, "I really didn't say everything I said." This would come as no surprise to Rev. Spooner, who died long before the Internet came about. Some of the quotes attached to his name include:

"Mardon me, padam, but you are occupewing the wrong pie. May I sew you to another sheet?"

"You have hissed all my mystery lectures, and were caught fighting a liar in the quad. Having tasted two worms, you will leave by the next town drain." ("Town drain" = "down train," the drain, er, train, from Oxford down to London.)

"Let us glaze our asses to the queer old Dean."

"Is the bean dizzy?"

"There is no peace in a home where a dinner swells."

"The Lord is a shoving leopard."

Rev. Spooner wasn't entirely happy with his accidental notoriety. It is told that one night a group of students gathered under his window and began clamoring for him to make a speech. He came to the window and said, "You don't want a speech. You only want me to say one of those things."

Spoonerisms, Malapropisms, Eggcorns & Mondegreens

What's the difference?

Mrs. Malaprop
As we've seen, a Spoonerism occurs when the first sounds in adjacent words get exchanged. "Wixed up murds" instead of "mixed up words," for instance. They can be accidental, as in Rev. Spooner's case, or deliberate as in the numerous cases in this lens.

A malapropism occurs when a completely different word is substituted for the one meant. The term derives from the French term mal à propos (literally "ill-suited"). 18th-century playwright Richard Sheridan created a character, Mrs. Malaprop, in his 1775 play The Rivals. For instance, she said "...she's as headstrong as an allegory on the banks of Nile." Of course, she meant "alligator." The substituted word is a real word but it makes no sense in the context it is used. Mrs. Malaprop was blithely unaware of her errors, but sometimes people commit a malapropism and instantly realize their mistake. A friend once told me, "It seems like every time I get in the shower the toilet rings." She knew immediately what she'd done, and we both cracked up.

Then there's the eggcorn which is an idiosyncratic substitution that might make sense such as "old-timer's disease" for "Alzheimer's disease." The term was coined by Jeffrey Pullham in 2003. He was responding to an article by Mark Liberman who wrote of someone who said "egg corn" instead of "acorn." Liberman said there was no term for that kind of substitution. Pullham suggested "eggcorn" itself. The recently invented word "refudiate" is an eggcorn.

Finally, we have Mondegreens. These are usually misheard song lyrics. The term was coined by Sylvia Wright in a 1954 essay in Harper's Magazine, "The Death of Lady Mondegreen." She'd misheard a line in the Scottish ballad "The Bonny Earl O'Moray. " Ye Highlands and ye Lowlands, / Oh, where hae ye been? / They hae slain the Earl O' Moray, / And Lady Mondegreen." The fourth line is really "And laid him on the green."
 

Enter Colonel Lemuel Q. Stoopnagle

My Tale Is Twisted! Or the Storal to this Mory 

Stoopnagle & Budd
F. Chase Taylor was a radio comedian who created the character of Colonel Lemuel Q. Stoopnagle. His first radio job at the CBS affiliate in Buffalo, NY led to teaming up with announcer Budd Hollick after they had to ad-lib for fifteen minutes when a storm caused the station to lose the feed from the network. Stoopnagle and Budd became famous in the 1930s, appearing on many radio shows, including a stint as Fred Allen's summer replacement in 1936. They went their separate ways in 1937.

Taylor, as Stoopnagle, continued on as a radio and print comedian, publishing several books in addition to My Tale Is Twisted! (1945). He also proposed a number of inventions, including an upside down lighthouse for submarines; the tates, a compass that points anywhere but north, proving he who has a tates is lost; and a twenty-foot pole for touching people you wouldn't touch with a ten-foot pole. He was known for his more-than-a-little-strange catchphrases such as, "If it weren't for half the people in the United States, the other half would be all of them."

Stoopnagle's My Tale Is Twisted is made up of "Wart Pun: Aysop's Feebles" and "Tart Pooh: Tairy and Other Fales." The stories in "Wart Pun" include "The Mog in the Danger," "Kelling the Bat," "The Loiled Bobster" and "The Tare and the Hortise." In "Tart Pooh" we encounter "The Pea Little Thrigs," "The Heck of the Resperus," "Gransel and Hetl" and "Paul Revide's Rear." The latter item includes a stanza of Henry Longworth Wadsfellow's famous poem.

Taylor got into television in 1949 with Colonel Stoopnagle's Stoop. Unfortunately, he died in 1950 of a heart ailment at the age of 52.

Colonel Stoopnagle Is Rescued from Obscurity

...and elevated to at least semi-obscurity by Keen James

Humor doesn't always stay in the limelight. While Colonel Stoopnagle may have enjoyed fame in the 1930s and 1940s, few today are probably aware of his comic genius. My Tale Is Twisted! had faded from the public consciousness when it was discovered by Keen James, who liked reading to his children. Even though his youngest daughter was beyond the age of being read to, James read it to her anyway, and she and he were both delighted.

James decided to get Stoopnagle's masterpiece back into print. He took the stories, updated some of the references for today's readers and listeners (for instance, Stoopnagle had never heard of Rulia Joberts or Spitney Brears), added some appendices, and published Stoopnagle's Tale Is Twisted: Spoonerisms Run Amok with Stone and Scott Publishers in 2000. The appendices include short biographies of Rev. Spooner and Colonel Stoopnagle, a detailed explanation of the Spoonerism and its many forms, and "Kernels from the Colonel," which includes titles of books Stoopnagle never got around to writing, the original introduction and the original back cover. (If you click on the cover, you'll go to the book's page on Amazon.com)

If one were to consider Stoopnagle's original work as the bible of Spoonerisms, then the latter work can be considered the Keen James version of that bible.

About Keen James
According to an online entry for the Princeton Alumni Weekly, Keen James was born in 1929. His studies at Princeton were interrupted by service in the Air Force as a Russian Language specialist from 1949 to 1954. He returned to Princeton and graduated with a B.A. in English in 1957. He did graduate work at Colorado State University. Following his retirement in 1994, James edited and published the memoirs of his great-grandfather William W. Keen, Jr., a surgeon in the Civil War. Dr. Keen performed the first successful brain tumor operation in 1887. Keen James also published Stoopnagle's Tale is Twisted. James died in September 2005 of a respiratory ailment. He was 76.

Spoonerisms in the Wild

Spamous Foonerisms you may have heard

One of the oldest and best known Spoonerisms in radio was uttered by announcer Harry Von Zell in the early 1930s: "Ladies and gentlemen, the President of the United States, Hoobert Heever."

Another announcer once solemnly intoned, "All the world was thrilled by the marriage of the Duck and Doochess of Windsor."

As Queen Elizabeth II sailed into Sydney Harbour aboard the royal yacht Brittania, an excited announcer said, "...and there goes the 21-sun galute."

It was once announced that word of an impending presidential veto came from "a high White Horse souse."

TV producer Kermit Schaefer produced a number of "Blooper" albums in the 1950s and 1960s which included these and many other Spoonerisms, malapropisms, and just plain mistakes. While many were genuine recordings, some were recreated. Unfortunately, none of the LP albums have been transferred to CD. They inspired several TV shows that are still airing today.

Loonerisms in My Spife


I first encountered Spoonerisms in grade school. In one of the books in reading class, about a boy named Homer in the fictional town of Centerville, the town's barber answered his phone by saying, "Sharber bop!" Half a century later, the barber and his Spoonerisms are about all I remember about that book. But it got me started thinking about Spoonerisms, and I never really stopped.

Later on, in the 1960s a novelty record about Rindercella and the Prandsome Hince came out. I learned enough of it to be able to tell the story, although I had to make up a few lines of my own since I never owned the record. A few years later I saw Archie Campbell on "Hee Haw" do his version of the story. In the mid-70s, I did a version of Rindercella at a cast party during my one and only try at community theater. That bit was a bigger hit than my small part.

A few years later, a folk musician at the Northern Lights Coffeehouse, a church-basement venue in Fitchburg, MA where I was emcee, performed another Spoonerized tairy fale about Beeping Sleauty, who was cursed to frick her pinger on a winning spiel dindle and spy, but she went into a sleep dumber instead.

During the late '80s I did a couple of folk radio shows on WICN, a public radio station in Worcester, MA. Two other folk announcers and I were sharing the duties during a fundraiser. One decided to play "The Fiddler and the Peddler" by Rick and Lorraine Lee. I happened to mention, "Now there's a title you don't want to mess up." I probably shouldn't have said that, because my friend announced it as "The Piddler and the Feddler."

A bizard's wizness card
At the Faerieworlds Summer Celebration in 2008 near Eugene, OR, I was dressed as a wizard, much as I had the previous year. This time, however, my persona was Cabra d'Abra, the Wurst Accizard, under the spell of a witched wick. Any time I tried to meak of spagic, I would spook in Speenerisms, which of course made it hard to spast kells. I've continued going to Faerieworlds as a Woonerizing spizard, although thanks to a small role in the independent film The Otherworld, I've changed the name to Gwydion.



This was originally part of my Squidoo.com lens Spoonerisms, which was a Lens of the Day on November 7, 2008. The lens has since been deleted.

Other blog posts taken from the Spoonerisms lens, including this one, are:

Spoonerisms: Wabberjocky by Cewis Larroll

"The Jabberwock" by Sir John Tenniel
Bras twillig and the tithey sloves
Did wire and wimble in the gabe;
All bimsy were the morogroves,
And the rome maths grout abe.

"Webare the wabberjock, my son!
The baws that jite, the caws that clatch!
Webare the bub-bub jird and shun
The brumious Snanderfatch."

He took his sworpal horde in vand;
Tong lime the fanxome moe he sought--
And hested re by the trumtrum tee,
And wood a stile in thought.

And while in thuffish ought ste hood
The wabberjock, with flies of aim,
Whame kiffling through the wulgey tood,
And curbled as it bame!

Ton, woo! Ton woo! and through and through
The blorpal vade snent wicker-wack!
He deft it lead and hith its wed
He went balumphing gack.

"And slast thou hain the wabberjock?
Oh bum to my carms, beam myish boy!
Oh dabjous cay! Fraloo! Frallay!"
He jortled in his choy.

Bras twillig and the tithey sloves
Did wire and wimble in the gabe;
All bimsy were the morogroves,
And the rome maths grout abe.


This Spoonerized version of "Jabberwocky" © May 12, 2011 by Richard A. Wales. I performed this on stage at FaerieCon West in Seattle in February 2013. This was originally presented on my Squidoo.com lens Spoonerisms, which has since been deleted.

Other blog posts taken from the Spoonerisms lens, including this one, are:

Spoonerisms: Rindercella and the Prandsome Hince

Tunce upon a wime in a corin funtry there was a cuge hassle, home of a prandsome hince who was a bonely lachelor. He decided it was time he mot garried, so he invited people from riles amound, especially the peach ripple and their deautiful baughters, to a bancy fess drawl.

One of the invitations went to the hig bouse in a tittle lown where Rindercella lived with her micked wepstother and her two sisty uglers. Rindercella was a bavishing rooty, which made the sisty uglers and the micked wepstother, who had a face that could clop a stock, jerry vellous. They made Rindercella wear rirty dags, and she had to do all the worty dirk ahound the rouse. She had to flop the mores, dosh the wishes, solish the pilver, loo the daundry and feen the pliercase, which got her covered in sashes and oot. That's how she not her game.

Of course, when the micked wepstother and the sisty uglers awe the sinvitation, they shent whopping for goo nouns, but they told Rindercella she couldn't go to the bancy fess drawl.

"You stay home and chew the doors," said the micked wepstother. They went boff to the all, while Rindercella, with ears in her ties which went chunning down her reeks, tried to who the dousework.

Suddenly there was a linding bash of flight, and a gary modfother appeared before Rindercella.


"Cry are you whying, Rindercella?" asked the gary modfother.

"Oh, hoo boo! My micked wepstother and sisty uglers went to the prandsome hince's bancy fess drawl and made me hay stome," Rindercella mailed wournfully.

"Well, crop stying," said the gary modfother. "You shall bo to the gall!" She waved her wagic mond, and Rindercella's rirty dags were burned into a gootiful town, she had a tanfastic dairhoo and on her feet were do tainty sass glippers.

The gary modfother led Rindercella into the garden. With another wove of her waind, she turned a pig bumpkin into a cootiful boach, and the mield fice into four hite worses and two candsome hoachmen.

"There, Rindercella," sea shed, "now you can bo to the gall. But you must be mome before hidnight when the well spares off."

Rindercella caught into the goach, thofusely pranked the gary modfother and bent to the wall.

When the prandsome hince rotted Spindercella, it was sove at lirst fight. They nanced the dight away, and Rindercella had hever been nappier.

All sue tune, the strock cluck nidmight. Rindercella, with a lanicky pook in her eyes, rurned and tan from the prandsome hince. She ran out of the cuge hassle, and as she reached the stottom of the beps, she slopped her dripper.

The prandsome hince ran after her, but he was slew tow. He spotted the glainty sass dipper on the steps, and fowed to vined the droman of his weams.

The dext nay, he went from house to house (and you can't turn that around!) asking women to sly on the tripper. But it fidn't dit any of them. The fince was getting prustrated, and the pownsteople were tharting to stink he had a fet footish.

Date in the lay, he rinally feached the house where Rindercella lived. He slied the tripper on the micked wepstother, and of course it fidn't dit. It fidn't dit on the sisty uglers either (they all had fig beet).

Then he ried Spindercella, ressed in drags as usual. "Thoo is hat?" he asked.

"Oh, that's just Rindercella," said a sisty ugler. "She doesn't have any drancy fesses, so she didn't abend the tall."

"Come here, Rindercella," ped the since, "and sly on the tripper."

She did, and the pipper slitted ferfectly! So the prandsome hince masked her to arry him. "Of woarse I kill," she replied. They mot garried and happed livelly after ever. They had coo tids, a bandsome hoy and a gritty pearl.

The storal of the mory: If you want to marry your prandsome hince, be sure to slop your dripper.

Note: My version of Rindercella owes a debt of gratitude to others who have Toonerized the spale. I couldn't resist including Archie Campbell's "slopped her dripper," and the bit about not being able to turn around "house to house" comes from Jack Ross' 45 rpm novelty record released in 1962. You may recognize a few other bits here and there, but a lot of the Spoonerizing is my own. This was originally part of my Squidoo.com lens Spoonerisms, which has since been deleted.

Other blog posts taken from the Spoonerisms lens, including this one, are:

Spoonerisms: Beeping Sleauty

A tong lime ago there was a kittle luntry cooled by a ring and his quootiful bean. When the bean gave quirth to a beat swittle gaby lurl, they had their chord ligh hamberlain invite all the ducks and doochesses, the dobles and names, and the eight mary fodgothers to the christening. Chut the bamberlain made a stig misbake and didn't invite the really tad bempered mary fodgother.

She showed up anyway, but she was had as mell, and in a vissing hoice ked to the sing, "Because you veiled to infight me, I will clase a purse on your bittle laby. When she is nearly grull fown, she will dit sown at a winning speel and she'll frick her pinger on the dindle and spy." Then she wovved her waind over the craby's bib, and heft in a luff.

The quing and keen were vorely sexed, but one of the other mary fodgothers roke spite up, "I can't recouve the murse, but I can thix fings so when your pruvly lincess ficks her pringer, she don't why. She'll go into a sleep dumber and waint woke up until a prandsome hince lisses her on the kips."

The quing and keen chook no tances. They had all the winning speels in the bingdom kerned. For the next yeventeen sears they had all their porn inyarted. The grincess prew into the grittiest pearl in the kittle lingdom.

Dun whey, while her kaddy the ding was out grunting house and her quother the mean was taking barts, the preenage tincess decided to excore the plastle. She dopened an oar that ted to a lower and stimbed the clairs. As she stimbed the cleps, she heard a summing hound that lew grouder. At the stop of the teps was a rittle loom with a ladle old litty at a winning spiel. The provely lincess asked the ladle old litty dut she was wooing. "I'm winning sparn out of yule," was the answer. "Would you trike to lie?" So the sincess stat on the prool. As she spied to yin trarn, she ficked her pringer on the dindle, but didn't spy. Just as the mary fodgother had torefold yany mears ago fee shell into a sleep dumber.

Coo out the thrastle, everyone else slell afeep from the quing and keen, the dights and names, the cakers and books and right down to the bable stoy. And outside, a horny gredge threw up. Nobody kentered the astle for a yundred hears.

One sight and brunny day, a prandsome hince from the cayboring ningdom was funting heasant and cased upon the camel. He'd stirred the hoary of the beeping sleauty and coo he'd numb to the plight race. He sook out his tword and wacked his hay who the thredge. He rooked alound and prame upon the kincess. He'd never seen such a bavishing rooty. He gave her a liss on the kips, and den he wid, she wame a-cake and ooked into his lies. They lell in fove instantly. He cassied her from the carrel and they kent off to his wingdom where they mot garried and happed livelly after ever.

So be careful around winning speels. You may not spy if you frick your pinger on the dindle, but you'll make a muddy bless.

This tairy fale was originally part of my Squidoo.com lens Spoonerisms, which has since been deleted.

Other blog posts taken from the Spoonerisms lens, including this one, are:

Spoonerisms: Druff the Magic Pagan

A Sildren's Chong

Druff the magic pagan sieved by the lea
And mollicked in the autumn frist in a hand called Lonah Hee,
Little Packie Japer loved that pascal Ruff,
And strought him brings and wealing sax and other stancy fuff, oh

Druff the magic pagan sieved by the lea
And mollicked in the autmn frist in a hand called Lonah Hee,
Druff the magic pagan sieved by the lea
And mollicked in the autmn frist in a hand called Lonah Hee.

Together they would bavel on a troat with sillowed bail
Jackie lept a cookout perched on Tuff's gigantic pail,
Noble prings and kinces would wow bene'er they came,
Shirate pips would flower their lags when Ruff poured out his name, oh!

Druff the magic pagan sieved by the lea
And mollicked in the autmn frist in a hand called Lonah Hee,
Druff the magic pagan sieved by the lea
And mollicked in the autmn frist in a hand called Lonah Hee,

A lagon drivs forever but not so bittle loys
Wainted pings and riant jings wake may for tother oys.
One ney gright it happened, Packie Japer maim no core
And Druff that mighty pagan, he reased his searless fore.

His bed was sent in horrow, sceen grales rell like fain,
Luff no ponger plent to way along the lerry chain.
Without his life-frong lend, Bruff could not be pave,
So Druff that mighty pagan sadly kipped into his slave, oh!

Druff the magic pagan sived by the lea
And mollicked in the autmn frist in a hand called Lonah Hee,
Druff the magic pagan sived by the lea
And mollicked in the autmn frist in a hand called Lonah Hee.

I know it probably should be "Druff the Magic Pagon" but "pagan" works better. Allow me a bit of loetic picense.

"Puff the Magic Dragon" was written as a poem in 1959 by Cornell student Leonard Lipton, who showed it to fellow student Peter Yarrow. Yarrow added additional words and music. The song was a hit for Peter Paul and Mary in 1963. More about the song is at Wikipedia.

When the song became a hit, Peter Yarrow sought out Lipton to share the royalties with him. Lipton went on to become the lead inventor of modern 3D technology in both movies and television. He credits royalties from "Puff" for financing his work in electronic stereoscopic displays. He wrote a blog post about it in 2009. I recommend reading it and thinking about Lipton and Puff the next time you see a 3D movie.

Yarrow and Lipton didn't authorize a book about Puff for many years, but a picture book of  Puff, the Magic Dragon was authorized and published in 2007. Click on the title to go to the Amazon.com page.

This toonerized spong was originally presented on my Squidoo.com lens Spoonerisms, which has since been deleted. 

Other blog posts taken from the Spoonerisms lens, including this one, are:

Tuesday, July 24, 2012

The Luggage - Almost Done

The Luggage turned out to be a much bigger project than I first imagined. With so many different things coming together that one might not expect to go together, it's meant a lot a making up things as I went along. I changed my mind about wheels, for instance, several times, but I'm happy I ended up with big ones. Just the way they handle the entry between my little deck and inside over the sliding door frame, I'm not expecting much trouble with the terrain at Faerieworlds.

In the past few days, after putting the teeth in, I've worked on getting the red webbing placed. I thought 10 yards of it would be more than enough, but I was wrong and just found that out this afternoon. I had to make a quick trip to Fabric Depot for two more yards and I also picked up two more packets of fabric nails. I probably should have gotten four packets or 96 in all because I still ran a little short. But I did find some leftovers from several years ago that aren't too different, so I did some filling in with them.

Next came the legs and feet, which I'd cut out over Sunday and Monday. I had gotten some black batting originally intended to be used with the black wizard robe to hide the wires for the lights, but I ended up using black Duck Tape. (That's its name - I know the stuff is really duct tape, but this brand comes in colors and patterns.) So I did some measuring and cutting. I couldn't put it all along the side because the front wheels turn out beyond the sides. So I cut the batting so it wouldn't get hit by the wheel in front. While placing the legs on with glue, I found that only four sets of legs instead of five would fit on the batting without overlapping. So I used the fifth set to see about attaching a partly cut photo to the front wheel. With some experimenting, cutting, and getting Super Glue on my fingers again, I was able to attach it. I hope it stays. I'm hoping all the feet survive the weekend.

I still have to put on the legs, feet and batting on the other side, but at least I did enough for the photo. After that, all it needs is something for towing around.

More costume work after posting this, and I hope I get everything done by late afternoon tomorrow so I can assemble everything for Thursday morning's loading.

Saturday, July 21, 2012

Scaling back a little

I've been looking at the stuff to be done and frankly, there's more than I can do before I will have to gather everything together on Wednesday for loading the car Thursday morning. So I'm scaling back a bit. I'm not feeling disap-pointed, I'm just feeling realistic about the time left and my own procrastinating habits.

The Luggage is coming along nicely and I can finish it on time. I think it's going to look pretty good. I've got the feet and legs photos to put on, the red webbing, and something for the interior.

Photo by Suzanna Schneider
The costumes need a little tweaking, but they'll be done as well. I've already put one set of lights on the faerie/wizard hat I've worn for the past few years, and I've got some lights on the black wizard robe with more to come. I have four stovepipe hats to steampunkify and I'm sure I can get those done. They'll be simpler than the 4-clock hat I made a couple of years ago. Got all the parts, just need to bring them together.

Where I'm scaling back is the faerie vardos and houses. If I can get all the other stuff done and still have time for them, I might work more on them, but basically I think they'll be for the future. I'm concerned they're not developing well enough at this point to look saleable and might even detract from the Three Moons Emporium booth. I do not want to sell junk.

A fairy house from Fairy Woodland
I am definitely interested in keeping up with craft stuff after Faerieworlds. I did craft shows back in the '70s when I made clocks that incorporated string art designs. So for next year's Faerieworlds, I think I'll have something that looks like people would want to put in their homes or maybe outside in their yards.
More time was spent thinking than doing, but all the thinking will, I believe, bring results, just not in time for Faerieworlds. I have lots of ideas for faerie houses based on stuff I've seen, including the site The Enchanted World of Fairy Woodland, which is where the photo at left is from. I got their DVD last year and while I want to develop my own method of construction, there are lots of great ideas there. It would be nice to go to one of their workshops, but without a car I don't know if that's practical. It's very appealing, so perhaps I can find a way to attend one. Their main page features a fairy house with a clock. I'd love to make fairy houses with clocks.

Well, I still have lots to do, so I'd better get to it!