I've added a YouTube video clip from CBS Sunday Morning to my Squidoo lens Snowflake Photography: Kenneth Libbrecht. There's some very beautiful snowflake images to be seen. Dr. Libbrecht talks about photographing snowflakes and is shown at work in subfreezing temperatures working without gloves.
This lens, which I created at the end of December, is a complement to my lens Wilson A. Bentley - The Snowflake Man. Bentley was farmer in Jericho, Vermont who pioneered the art of snowflake photography.
Saturday, February 19, 2011
Fiction Best Sellers: A New Squidoo Project
For a while until around August 2009, I did a lens based on the New York Times best seller lists, updated weekly. After not seeing sales for many months, I deleted the lens since it took about 2-3 hours every week to update it.
When I resumed activity around Thanksgiving 2010, I realized I'd made a serious coding error that prevented sales with affiliate links from being credited to my account. Now I'm going to try again, this time with correct coding. I had been getting some sales until I started using the bad code.
Instead of using the hardcover list, I'm using a new list the Times started earlier this month that reports combined print and ebook sales. Since ebook sales at Amazon.com are now larger than hardcover or paperback sales, this appears to be the best way to reflect what people are actually buying.
Alone is #2 on the latest New York Times list of print and ebook fiction best sellers.
When I resumed activity around Thanksgiving 2010, I realized I'd made a serious coding error that prevented sales with affiliate links from being credited to my account. Now I'm going to try again, this time with correct coding. I had been getting some sales until I started using the bad code.
Instead of using the hardcover list, I'm using a new list the Times started earlier this month that reports combined print and ebook sales. Since ebook sales at Amazon.com are now larger than hardcover or paperback sales, this appears to be the best way to reflect what people are actually buying.
Alone is #2 on the latest New York Times list of print and ebook fiction best sellers.
Friday, February 18, 2011
TALOIGA
Things went downhill after the Neverworlds Masquerade in Eugene on the 29th. While walking around, I noticed some pain in my left foot like I'd strained a muscle. I must've done a pretty good job of straining it because when I got up on Sunday I was really hobbling around. Every other step was painful, and it took several days for it to fade.
Just as that was getting better, I got a case of TALOIGA (my acronym for There's A Lot Of It Going Around). I have a big suspicion I picked it up in Eugene, since I started getting sick about 48 hours or so after I got back. It was probably a dose of the flu - I somehow skipped getting a shot this season. "Taloiga" sounds a lot more exotic than "flu."
Mostly it seemed to be a nagging cough that was persistent enough to sap my energy so I just haven't felt like doing anything that requires much thought or much stick-to-itiveness. After more than two weeks the cough finally seems to be subsiding.
One thing I have done is read up a bit about Redgage, a social networking site where you can post blog entries, photos, etc. and get paid. The folks in the Squidoo forum called the Chatter Box have been saying it's a good place to make backlinks, so I plan to start doing short blog entries about my lenses. Some will be about lenses I've recently blogged about such as the Discworld lens, the Grand Masters of Science Fiction, the Hugo Awards, etc. but I want to write something new for them.
I could just write something new on Redgage, but by importing material from this blog to there I get the advantage of two backlinks. I'm hoping this might make for at least a little increase in traffic.
I was in Costco earlier and took a look at Laura Hillebrand's new book. If money wasn't so tight I'd buy it, but it's still penny-pinching season and it will be for a long time, I suspect.
Just as that was getting better, I got a case of TALOIGA (my acronym for There's A Lot Of It Going Around). I have a big suspicion I picked it up in Eugene, since I started getting sick about 48 hours or so after I got back. It was probably a dose of the flu - I somehow skipped getting a shot this season. "Taloiga" sounds a lot more exotic than "flu."
Mostly it seemed to be a nagging cough that was persistent enough to sap my energy so I just haven't felt like doing anything that requires much thought or much stick-to-itiveness. After more than two weeks the cough finally seems to be subsiding.
One thing I have done is read up a bit about Redgage, a social networking site where you can post blog entries, photos, etc. and get paid. The folks in the Squidoo forum called the Chatter Box have been saying it's a good place to make backlinks, so I plan to start doing short blog entries about my lenses. Some will be about lenses I've recently blogged about such as the Discworld lens, the Grand Masters of Science Fiction, the Hugo Awards, etc. but I want to write something new for them.
I could just write something new on Redgage, but by importing material from this blog to there I get the advantage of two backlinks. I'm hoping this might make for at least a little increase in traffic.
I was in Costco earlier and took a look at Laura Hillebrand's new book. If money wasn't so tight I'd buy it, but it's still penny-pinching season and it will be for a long time, I suspect.
Tuesday, February 1, 2011
The Neverworld Masquerade
This past Saturday I went down to the McDonald Theater in downtown Eugene, Oregon to the Faerieworlds Winter event, the Neverworlds Masquerade. The theme was "Faeries vs. Pirates" and I went as a pirate, or perhaps more accurately as the Thief of Time since I wore my clock hat.
I got there way too early. Another time I'll get there about a half hour before the doors open, not more than two hours before. But although I've been around Eugene now and then since I started going to Faerieworlds in 2006, I'd never been in the downtown part of it. I wasn't sure how parking would work out, especially since a performance center close to the McDonald was presenting Itzahk Perlman that night.
It turned out that parking was extremely easy. I'd checked out Google maps and had a printout, so once I got off I-105 I got right to the city-operated parking garage, which is free on Saturdays and they had plenty of spaces.
I had my camera and my little prop sword with me, and eventually I took them back to the car when I realized the sword was considered a weapon even though it's not at all sharp and it was tied so I couldn't pull it out of the scabbard. Just before the doors opened, someone from the theater saw a guy with a pro-level camera and told him he needed a photo pass. So I figured photos just weren't allowed even though I'd seen photos from past Winter events at the theater.
Once inside, I realized plenty of people had cameras and I could've kept mine with me. The only thing being restricted was flash photos inside the auditorium part. Photos in the lobby and lounge were no problem.
There were a few vendors set up in the lobby with some interesting things, but since money's so tight I didn't spend much time looking. I did talk briefly with Mark Lewis, who was in his "Dirty Jack" pirate outfit and was one of the emcees along with "Green Man" Billy Scudder. I told Mark I was there as the Thief of Time, and his response was, "We have ways of making you tock."
There were three musical acts for the evening and the first was Manoverboard (yes, it's all one word). They've been to several Faerieworlds Summer events on the Village or Neverworlds stage, but I'd only seen them in passing. It was good to see them for their whole set. It was very energetic and a lot of fun.
Scott Huckabay, who's a real guitar wizard, was the second act. He's also been to the Summer event at least once that I know of. I'd gone into the lounge between acts to get a drink and ended up spending all of the time Scott was performing there talking with a few of the Circle of Merry Folk people. The lounge had a video feed from the auditorium, so I didn't completely miss out. That feed was also going out on the Internet via UStream (they also carry feeds from LiveIreland, the Internet radio station).
Of course, the headline act was Woodland, Emilio and Kelly Miller-Lopez's band. They were in great form with plenty of new material and Emilio got to play the hurdy-gurdy he'd gotten a few months ago.
Back during one of the Full Moon gatherings at the standing stones out at Mount Pisgah, I'd heard Kelly playing a Loreena McKennitt tune on her harp. I think she said she was just learning it. The band has worked up a full arrangement of the tune and it sounded great.
While I'd originally booked a motel room, I canceled it earlier in the week - a move spurred by the higher cost of getting the car's oil changed plus having the fuel filter replaced. So after the show, I headed back home. Since it was after midnight, traffic was very light. Even with a bit of fog developing toward the end of the trip, it only took a bit over two hours to return.
I got there way too early. Another time I'll get there about a half hour before the doors open, not more than two hours before. But although I've been around Eugene now and then since I started going to Faerieworlds in 2006, I'd never been in the downtown part of it. I wasn't sure how parking would work out, especially since a performance center close to the McDonald was presenting Itzahk Perlman that night.
It turned out that parking was extremely easy. I'd checked out Google maps and had a printout, so once I got off I-105 I got right to the city-operated parking garage, which is free on Saturdays and they had plenty of spaces.
I had my camera and my little prop sword with me, and eventually I took them back to the car when I realized the sword was considered a weapon even though it's not at all sharp and it was tied so I couldn't pull it out of the scabbard. Just before the doors opened, someone from the theater saw a guy with a pro-level camera and told him he needed a photo pass. So I figured photos just weren't allowed even though I'd seen photos from past Winter events at the theater.
Once inside, I realized plenty of people had cameras and I could've kept mine with me. The only thing being restricted was flash photos inside the auditorium part. Photos in the lobby and lounge were no problem.
There were a few vendors set up in the lobby with some interesting things, but since money's so tight I didn't spend much time looking. I did talk briefly with Mark Lewis, who was in his "Dirty Jack" pirate outfit and was one of the emcees along with "Green Man" Billy Scudder. I told Mark I was there as the Thief of Time, and his response was, "We have ways of making you tock."
There were three musical acts for the evening and the first was Manoverboard (yes, it's all one word). They've been to several Faerieworlds Summer events on the Village or Neverworlds stage, but I'd only seen them in passing. It was good to see them for their whole set. It was very energetic and a lot of fun.
Scott Huckabay, who's a real guitar wizard, was the second act. He's also been to the Summer event at least once that I know of. I'd gone into the lounge between acts to get a drink and ended up spending all of the time Scott was performing there talking with a few of the Circle of Merry Folk people. The lounge had a video feed from the auditorium, so I didn't completely miss out. That feed was also going out on the Internet via UStream (they also carry feeds from LiveIreland, the Internet radio station).
Of course, the headline act was Woodland, Emilio and Kelly Miller-Lopez's band. They were in great form with plenty of new material and Emilio got to play the hurdy-gurdy he'd gotten a few months ago.
Back during one of the Full Moon gatherings at the standing stones out at Mount Pisgah, I'd heard Kelly playing a Loreena McKennitt tune on her harp. I think she said she was just learning it. The band has worked up a full arrangement of the tune and it sounded great.
While I'd originally booked a motel room, I canceled it earlier in the week - a move spurred by the higher cost of getting the car's oil changed plus having the fuel filter replaced. So after the show, I headed back home. Since it was after midnight, traffic was very light. Even with a bit of fog developing toward the end of the trip, it only took a bit over two hours to return.
Discworld: The Monstrous Screwup
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| Terry (not Terrry) Pratchett |
I spent about three or four hours on that last evening (Monday) and published the lens, Discworld Novels by Terry Pratchett, or so I thought. What I'd really published was "Discworld Novels by Terrry Pratchett" with three "r"s in "Terry" instead of the usual two. The problem occurred as the second step of creating a lens after clicking the lens builder link - naming the lens. Typing in the title creates the URL. I was careful about spelling "Pratchett" but didn't notice a finger stutter on the first name.
Of course, it was one of the first things I noticed after publishing. That was way too late, since the URL is set once the button is pushed to create the lens and open the workshop. Once assigned, a URL can't be changed. My only option was to recreate the entire five-page lens, which is what I did this morning and it took about three hours. I did spot a few errors to correct and I made a few tweaks, so overall things are better on this newer version above and beyond fixing the title/URL gaffe.
Thursday, January 27, 2011
Grand Masters of Science Fiction Lens
Well, I guess that'll teach me to resume not writing about works in progress. Last Saturday I wrote predicting my lens on the Grand Masters of Science Fiction would be published on Sunday. It took a bit longer. Longer as in I just published the lens this evening (Thursday).
The lens is much better for the extra time. If I'd published on Sunday, it would have been a lens mostly made up of links to authors' pages on Amazon and links to books on Amazon. The extra time mostly went into writing up semi-brief blurbs about each author, and there are 27 of them. Just today I realized I'd left one author off the list, so I was able to correct that. Writing those blurbs went a lot slower than I would have thought. That's only partly because I ended up reading most of the Wikipedia entries and referring to the Internet Speculative Fiction Database. Then, of course, there was writing up a few paragraphs about the SFWA and the award.
I couldn't find free-to-use photos of all the authors, so for those I couldn't find, I used book cover images from Amazon. I did find photos for most authors on Wikipedia, and most of those didn't require attribution, but I provided it for those that did. The photo of Robert A. Heinlein is the only one, I think, that I got from Amazon. It was only after I'd placed the photo that I recalled that the term "Grand Master" is also used in chess.
It's a relief to have the lens done and published. Now on to the next big or maybe not-so-big idea.
The lens is much better for the extra time. If I'd published on Sunday, it would have been a lens mostly made up of links to authors' pages on Amazon and links to books on Amazon. The extra time mostly went into writing up semi-brief blurbs about each author, and there are 27 of them. Just today I realized I'd left one author off the list, so I was able to correct that. Writing those blurbs went a lot slower than I would have thought. That's only partly because I ended up reading most of the Wikipedia entries and referring to the Internet Speculative Fiction Database. Then, of course, there was writing up a few paragraphs about the SFWA and the award.
I couldn't find free-to-use photos of all the authors, so for those I couldn't find, I used book cover images from Amazon. I did find photos for most authors on Wikipedia, and most of those didn't require attribution, but I provided it for those that did. The photo of Robert A. Heinlein is the only one, I think, that I got from Amazon. It was only after I'd placed the photo that I recalled that the term "Grand Master" is also used in chess.
It's a relief to have the lens done and published. Now on to the next big or maybe not-so-big idea.
Saturday, January 22, 2011
Merging Lenses, New Idea
I've started merging about eight of the Celtic music lenses with their corresponding video showcase lenses. Since I made the video lenses in 2008, Squidoo added the ability to make lenses with more than one page. I decided to cut down on the total number of lenses by putting the videos on page 2 of the main lens and delete the video showcase lens.
I started out with Celtic Music: Altan because it's the first one on the Celtic Music: Lenses lens. I deleted all but one video on the showcase lens and added a note with links to the main lens. I was going to do another one, but went out for a walk instead because it was a nice day, i.e., not raining.
While out walking I got an idea about doing a lens about science fiction grand masters. The Science Fiction Writers Association, which gives out the Nebula Awards, has been awarding the Damon Knight Memorial Grand Master Award since the 1970s, although they didn't name it for Knight until after he died in the '90s. It seemed like a good way to make a lens with lots of links to Amazon for the all-time best writers in the science fiction field.
I got a list of all the Grand Masters in a text file and added links to their Amazon pages if they have them or searches on their names at Amazon if they don't have a page. Then I decided to make it more interesting by adding links to their books that have won the Hugo and/or Nebula awards. I managed to get through to 2000 and I'll most likely finish it up tomorrow.
It's still just a text file now, but I've found that by doing a lot of this type of lens with multiple Amazon links as text files is easier than working in Squidoo's lens workshop. I did find the Hugo Award Winners: Novels lens very helpful since I've already created the links to both Amazon.com and Amazon.co.uk in that lens, so I just copy them over to the text file.
I'm hoping to be able to find photos of the authors either on Amazon or Wikipedia with Creative Commons licenses so I can use them. Also I'm hoping I can get the lens published tomorrow. Usually I don't write about stuff in progress just in case something changes. Occasionally I'll start a lens that seems like a good idea, then get bogged down. If I don't say anything before publishing, nobody has to know. But this grand master lens looks like it's definitely going to happen.
I started out with Celtic Music: Altan because it's the first one on the Celtic Music: Lenses lens. I deleted all but one video on the showcase lens and added a note with links to the main lens. I was going to do another one, but went out for a walk instead because it was a nice day, i.e., not raining.
While out walking I got an idea about doing a lens about science fiction grand masters. The Science Fiction Writers Association, which gives out the Nebula Awards, has been awarding the Damon Knight Memorial Grand Master Award since the 1970s, although they didn't name it for Knight until after he died in the '90s. It seemed like a good way to make a lens with lots of links to Amazon for the all-time best writers in the science fiction field.
I got a list of all the Grand Masters in a text file and added links to their Amazon pages if they have them or searches on their names at Amazon if they don't have a page. Then I decided to make it more interesting by adding links to their books that have won the Hugo and/or Nebula awards. I managed to get through to 2000 and I'll most likely finish it up tomorrow.
It's still just a text file now, but I've found that by doing a lot of this type of lens with multiple Amazon links as text files is easier than working in Squidoo's lens workshop. I did find the Hugo Award Winners: Novels lens very helpful since I've already created the links to both Amazon.com and Amazon.co.uk in that lens, so I just copy them over to the text file.
I'm hoping to be able to find photos of the authors either on Amazon or Wikipedia with Creative Commons licenses so I can use them. Also I'm hoping I can get the lens published tomorrow. Usually I don't write about stuff in progress just in case something changes. Occasionally I'll start a lens that seems like a good idea, then get bogged down. If I don't say anything before publishing, nobody has to know. But this grand master lens looks like it's definitely going to happen.
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